京剧是中国的国粹，是古人的经典创作。京剧的艺术理念和表演形式充分体现了中国传统文化的审美价值观，如谦虚、典雅、温柔、善恶分明、空灵、委婉等。无论取什么名字，京剧都不比世界上其他经典逊色，更有个性。要了解中国文化，京剧是必不可少的一部分。如何用英文介绍京剧?怎么样
Realize Beijing Opera 认识京剧
1京剧简介及背景
Peking opera or Beijing opera is a form of traditional Chinese theatre which combines music,vocal performance,mime,dance and acrobatics.It arose in the late 18th century and became fully developed and recognized by the mid-19th century.It was extremely popular in Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.Major performance troupes are based in Beijing and Tianjin in the north,and Shanghai in the south.The art form is also preserved in Taiwan,where it is known as Guoju.It has also spread to other countries such as the United States and Japan.
Although it is called Beijing Opera,its origins are not in Beijing but in provinces of Anhui and Hubei.The early Qing Dynasty saw a great development of a plethora of operas.In the middle of the Qing Dynasty,Hui and Han operas were brought into Beijing.They became immensely popular with the imperial family,nobles,officials and the commoners.The marriage of Hui and Han operas became known as the Beijing opera.
Peking opera features four main types of performers.Performing troupes often have several of each variety,as well as numerous secondary and tertiary performers.They utilize the skills of speech,song,dance,and combat in movements which are symbolic and suggestive,rather than realistic.Above all,the skill of performers is evaluated according to the beauty of their movements.Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production.The layers of meaning within each movement must be expressed in time with music.The music of Peking opera can be divided into the Xipi and Erhuang styles.Melodies include arias,fixed-tune melodies,and percussion patterns.The repertoire of Peking opera includes over 1,400 works,which are based on Chinese history,folklore,and,increasingly,contemporary life.
Peking opera was denounced as“feudalistic”and“bourgeoise”during the Cultural Revolution,and replaced with the eight revolutionary model operas as a means of propaganda and indoctrination.After the Cultural Revolution,these transformations were largely undone.In recent years,Peking opera has attempted numerous reforms in response to sagging audience numbers.These reforms,which include improving performance quality,adapting new performance elements,and performing new and original plays,have met with mixed success.